Melon Farmers Blog

Watching UK Censors

Nonsense Stays Protected…Lords allow blasphemous libel to stand in Northern Ireland

Read more UK Parliament Watch at MelonFarmers.co.uk

Based on article from ccfon.org
See Hansard transcription from publications.parliament.uk

House of Lords logoThe House of Lords debated on the 28th October 2009, Lord Lester’s clause included in the Coroners and Justice Bill to abolish blasphemy in Northern Ireland.

The amendment was withdrawn. This means that the law stands as it is.

The feeling was that it is an issue that should be debated by the Northern Ireland Assembly rather than Westminster.

31 October, 2009 Posted by melonf | UK Government Censorship | | No Comments Yet

Censor for 1 Day…Birmingham cinemas ban film on police advice

Read more UK News at MelonFarmers.co.uk

Based on article from birminghampost.net

1 Day posterCinemas in Birmingham have been caught up in a bitter row between police and film makers as they were advised not to screen a controversial new film about city gangs.

1 Day, which is to go on general release next week, tells the story of two rival gangs of black youths who are caught up in the underworld of drugs and guns.

The film was shot on the streets of Handsworth with the cast recruited from nearby neighbourhoods.

The row between police and filmmakers reached boiling point last night when it’s director, Penny Woolcock, claimed that Odeon, Cineworld and Vue cinemas had all been advised by West Midlands Police not to screen the movie in Birmingham.

Woolcock, said: Censoring this film is shortsighted, shameful and lets a lot of people down. Even if 1-Day did glamorise gun violence, which it certainly does not, I do not think it is the function of the local police to go round saying what films should be shown and which ones shouldn’t. Let people decide for themselves.

But Assistant Chief Constable Suzette Davenport strongly denied there had been official censorship from West Midlands Police. The assistant chief constable said she had spent all day trying to find out where the message had come from not to show the film: I would like to make it absolutely clear that West Midlands Police don’t have any powers at all to censor. Organisationally, we haven’t sent out a message to cinemas that they shouldn’t screen this film, she said. [...but...]

I have always been consistent in saying that I am concerned it glamorises gangs and the impact this will have on the people of Birmingham.

Odeon, which has a cinema on New Street, said it was not showing the film after taking advice from West Midlands Police. It declined to comment further.

Passed at ‘15′ for strong language and violence

See article from bbfc.co.uk

To get a bit of perspective, the  BBFC have commented about the film:

BBFC logo1 Day is a drama-thriller that follows a frenzied 24 hours in the life of a gang member and drug dealer in Birmingham who must somehow find a large amount of money that he owes to his gang leader who has just been released from prison. The film was passed at 15 for strong language and violence.

The film contains numerous uses of strong language that feature in the dialogue and the lyrics of hip-hop songs accompanying the action, certainly too many to meet with the restrictions of the Guidelines at 12A/12 which state that the use of strong language (for example, ‘fuck’) must be infrequent. Consequently, the film was placed at the 15 category where the Guidelines allow for frequent use of such language.

In a film depicting the lives of characters involved in crime and gang rivalries, there are sequences of moderate threat as well as scenes where tensions break out into open violence that include the use of knives and guns. These represent moments of strong violence with sight of its bloody consequences which required the 15 category, but there is no undue dwelling on the infliction of pain or injury, or on the bloody detail, which might have presented a challenge to the Guidelines at 15.

The film contains infrequent soft drug use as well as sight of hard drugs, including a scene which sees a character cooking up crack cocaine but this is portrayed without any significantly instructive detail. The presence of drugs has a contextual justification but the depictions of drug dealing and drug misuse do not carry any elements of overt promotion or encouragement and it is likely that they would have been permitted at 12A.

The film also contains moderate language and a moderate suggestion of sexual activity.

30 October, 2009 Posted by melonf | Police Censorship | , | No Comments Yet

A Question of Sacrifice…The Director’s Cut of Drag Me to Hell

Read more BBFC Cuts and Bans at MelonFarmers.co.uk

The uncut UK Blu-ray is available at UK Amazon
The uncut US Blu-ray is available at US Amazon

Drag Hell Blu ray Alison LohmanDrag Me to Hell is a 2009 US horror by Sam RaimiThe BBFC passed the Director’s Cut 15 uncut for the 2009 Lions Gate Blu-ray.

The BBFC passed the Theatrical Version 15 uncut for the 2009 cinema release and 2009 Lions Gate DVD.

From review from dvdtalk.com: Sacrifice

The Blu-ray disk offers two alternatives of a gruesome sacrifice scene: the Unrated cut lunges directly for bloodletting and shock, the PG-13 takes a few more breaths before the inevitable.

In a rare instant of restraint crossing the finish line first, the PG-13 cut is the stronger, more demented experience (though less bloody) and the one I recommend to start with. For the curious, compare both cuts around the 49:45 mark.

29 October, 2009 Posted by melonf | Distributor Cuts | , | No Comments Yet

Breeding Censors…Supporting the hype for a Director’s Cut of Nightbreed

Read more BBFC Cuts and Bans at MelonFarmers.co.uk

Based on article from horroryearbook.com

Nightbreed Craig ShefferNightbreed is a 1990 US horror film by Clive Barker

Boogeyman from HorrorMovieFans.com wants horror fans to help get the uncut version of Nightbreed released on DVD. He has started an online petition at Go Petition.

Clive Barker and friends have discovered that Morgan Creek Productions has an uncut version of Nightbreed with an additional 44 minutes of footage and they refuse to release or sell.

After all signatures are collected over the next few months they will be presented to Morgan Creek Productions.

From cuts details on IMDb:

Director Clive Barker was reportedly required to cut the film down to 101 minutes from the original 126 minute cut by distributor 20th Century Fox. They felt that this cut was too long and rather too explicit for an R-rated release.

Also, Barker shot additional scenes with David Cronenberg’s Decker character to flesh out his mentality. The excised footage consisted of some very graphic gore during the climax, disturbing images in the monsters’ lair and quite a bit of “unnecessary” character development.

There were also some strange sexual themes between the monsters and Boone that wound up on the cutting room floor.

Writer/Director Clive Barker is reportedly preparing a restored “Director’s Cut” of the film for DVD release.

29 October, 2009 Posted by melonf | MPAA Cuts | , , | No Comments Yet

Loaded with Fuddy Duddies…Parliamentary committee rants about lads’ mags

Read more Magazine News… at MelonFarmers.co.uk

Based on article from dailymail.co.uk

Nutter MPs have demanded tighter rules on how so-called lads mags’ are displayed in shops. The front pages of sexually explicit titles such as Loaded, Nuts and Zoo should be concealed by plastic bags and placed on the top shelf of newsagents, they said. They also suggested cinema-style age ratings should be put on the front cover.

The cross-party group of MPs called for urgent action to supposedly protect children and young people from the magazines and downmarket tabloids such as the Daily Sport. And they said if publishers and retailers failed to act, the Government should introduce tough laws.

The display of lads’ mags is governed by a voluntary code of practice drawn up by the Home Office, the National Federation of Retail Newsagents and the Periodical Publishers Association. This recommends retailers display them well above children’s eye level and away from children’s titles or comics.

Labour MP Lindsay Roy and ten of his colleagues – including former Tory minister Ann Widdecombe and ex-not-so-Liberal Democrat leader Menzies Campbell – believe the rules are being flouted.

Roy, who represents Glenrothes in Scotland, has tabled a Commons motion to put pressure on ministers to act. He said a review of the guidelines must consider the availability of sexually graphic publications to children and young people, the positioning of them on the shelves of retailers, the potential for concealing them in bags and consider the question of age-rating them. His motion said young people were not emotionally equipped to deal with seeing, and reading about, sexual images.

Sir Menzies said his natural inclination was against censorship…BUT…it is unacceptable such material could be displayed at the eye level of a six-year-old: The photographs and headlines on the front cover are pretty lurid. The present code does not seem to be working and so it needs to be tightened up considerably.

28 October, 2009 Posted by melonf | UK Government Censorship | , | No Comments Yet

Many Angels and Demons…Three versions of Angels and Demons released in the UK

Read more BBFC Cuts and Bans at MelonFarmers.co.uk

The Extended Version UK Blu-ray is available at UK Amazon
The Extended Version region 1 DVD is available at US Amazon for release on 24th November 2009

Angels Demons Extended Cut Blu rayAngels & Demon is a 2009 US drama by Ron Howard

There are 3 versions of Angels & Demons released in the UK

  • The Extended Version was passed 15 without further BBFC cuts for the 2009 Sony Blu-ray.

The Extended Version includes more violent footage than the Theatrical Versions.

See pictorial version details from movie-censorship.com

  • The US Theatrical Version was passed 15 without further BBFC cuts and is also on the 2009 Sony Blu-ray.
  • The pre-cut UK Theatrical Version was passed 12A/12 without further BBFC cuts for the 2009 cinema release and 2009 Sony DVD. The BBFC stated:

This film was originally shown to the BBFC in an unfinished version. The BBFC advised the company that the film was likely to receive a ‘15′ classification but that the requested ‘12A’ certificate could be achieved by making reductions in four scenes. In particular the BBFC suggested that sight of blood splattering onto a character’s face, sight of a character screaming in pain as he burns, sight of a wound being injected and sight of a character self-immolating and burning should all be reduced. When the finished version of the film was submitted, all these reductions had been made satisfactorily and the film was classified ‘12A’.

28 October, 2009 Posted by melonf | BBFC Uncut, BBFC cuts, Distributor Cuts | , , , | No Comments Yet

Thank Evan…Criminal libel, obscene libel and seditious libel to be abolished

Read more UK Parliament Watch at MelonFarmers.co.uk

Based on article from indexoncensorship.org

House of Commons logoIndex on Censorship and English PEN welcomed MPs’ robust response in an adjournment debate to law firm Carter-Ruck’s challenge to Parliamentary reporting, and called on them to strengthen the public’s right to information by banning the use of so-called super injunctions except in extreme circumstances.

Jo Glanville, Editor of Index on Censorship, said: The widespread use of super injunctions is a serious threat to media freedom in this country – and to the fabric of open democracy. It is essential that this debate marks the beginning of reform, so that individuals and companies are no longer free to gag the press and prevent information that’s clearly in the public interest from coming under scrutiny.

Jonathan Heawood, Director of English PEN, said: The rights of Parliament are the rights of citizens. Unless Parliament is free to debate everything that MPs believe to be important, it can’t do its job properly. And unless the public is free to know what Parliament is talking about, we have closed government. Super injunctions compromise democracy and should be banned, except in extreme circumstances.

MPs from the three main parties voiced their concerns about super injunctions and the impact of English libel law on free speech in an adjournment debate called by Evan Harris MP in the wake of the Trafigura affair, in which the law firm Carter-Ruck argued that a super-injunction prevented the media from reporting on a Parliamentary question asked by Paul Farrelly MP.

During the debate, Denis MacShane MP called for the partners of Carter-Ruck to be called to the Bar of the House of Commons to account for their attempts to subvert Parliamentary democracy.

MPs commended the work of Evan Harris, English PEN and Index on Censorship in raising awareness of the failings of English libel law.

David Heath MP asked the government to confirm that the Parliamentary Papers Act 1840, which grants the media the right to report on everything in Parliament, is still in force.

Responding to the debate, Bridget Prentice, Minister for Justice, said: It is not possible to fetter Parliament. She confirmed that the advice given by Carter-Ruck in their letter of 14 October to the Speaker was incorrect. She said: we are very concerned that super injunctions are being used more frequently, especially in libel. And she confirmed that the Parliamentary Papers Act 1840 was still in force.

Prentice promised further guidelines on the use of super injunctions and agreed that defamation law needs to be tightened up. She stated that the government would abolish the antiquated laws of criminal libel, obscene libel and seditious libel in an amendment to the Coroners & Justice Bill in response to pressure by Index on Censorship, Article 19 and English PEN.

27 October, 2009 Posted by melonf | UK Government Censorship | , | No Comments Yet

One for the Shopping Cart…The complete Lone Wolf and Cub boxset

Read more BBFC Cuts and Bans at MelonFarmers.co.uk

The region 2 DVD is available at UK Amazon for release on 16th November 2009

Complete Lone Wolf Cub BoxsetAn interesting sounding boxset with uncut versions promised, although not yet confirmed on the BBFC database.

From promotional material on UK Amazon:

  • Disc 1 – Sword Of Vengeance (1972, Kenji Misumi) 84 Minutes
  • Disc 2 – Baby Cart At The River Styx (1972, Kenji Misumi) 82 Minutes
  • Disc 3 – Baby Cart To Hades (1972, Kenji Misumi) 89 Minutes
  • Disc 4 – Baby Cart In Peril (1972, Buichi Saito) 81 Minutes
  • Disc 5 – Baby Cart In The Land Of Demons (1973, Kenji Misumi) 90 Minutes
  • Disc 6 – White Heaven In Hell (1974, Yoshiyuki Kuroda) 84 Minutes
  • Disc 7 – Shogun Assassin (1980, Robert Houston) 86 Minutes

At last… the riveting, bloody, and ultra-stylish Lone Wolf and Cub series, together with the classic Shogun Assassin (all based on the perennially popular manga by Kazuo Koike and Goseki Kojima) available together in one boxset, officially licenced from Toho, fully uncut, and freshly remastered. Filled with memorable set pieces, iconic characters and violent action, this series more than lives up to its reputation as a pinnacle of Japanese exploitation cinema whose musings on the meaning of honour in a lawless world still resonate today.

In White Heaven In Hell alone, Ogami Itt kills 150 people onscreen, the highest body count for a single character in a single film in cinema history. In America, the first two Lone Wolf instalments were re-edited into the legendary Shogun Assassin, the film that single-handedly created legions of new fans of Japanese action cinema upon its release. Originally associated with the video nasty panic in the 1980s, this hugely influential thrill-ride is presented here along with the original Lone Wolf and Cub series, gorgeously remastered in their original aspect ratio.

Special Features: Freshly remastered, anamorphic, original aspect ratio transfers Newly translated optional English subtitles Original Japanese theatrical trailers for each film Liner notes for each film by Japanese film scholar Tom Mes (midnighteye.com)

27 October, 2009 Posted by melonf | BBFC Uncut | , | No Comments Yet

A Killer, A Monster, A Terrorist…Advert for video game Prototype cleared by the advert censor

Read more Advertising News at MelonFarmers.co.uk

Based on article from asa.org.uk

ACTIVISION Prototype PC DVDA TV ad, for the console game Prototype, showed a male character, who wore a top with its hood up. The voice-over stated My name is Alex Mercer. They call me a killer, a monster, a terrorist. I’m all of these things. The ad included a rapid sequence of action scenes; the character was shown jumping from a building before jumping on to a helicopter and a tank as well as swinging knives and swords.

The ad was cleared by Clearcast with an ex-kids restriction, which meant it should not be shown in or around programmes made for, or specifically targeted at, children.

Issue 1. A viewer objected that the ad was harmful, because he believed it glamorised and condoned violence and murder.

Issue 2. he also challenged whether the ad was appropriately scheduled, because he believed it could cause particular harm to young people under 18.

ASA Assessment: Not upheld

The ASA noted the ad included explosions and the main character briefly swung blades; however, the action scenes did not depict inter-personal violence, injury or murder. We considered that viewers would understand that the action sequences, which were relatively mild and fleeting, reflected the content of a fictional action game; the action was clearly not realistic. We noted the voice-over stated They call me a killer, a monster, a terrorist … however, in the context of the overall impression of the ad, we considered viewers were likely to regard the voiceover as part of the fictional action. We acknowledged that some viewers might object to the themes of the game, but considered that the ad itself was unlikely to be seen to condone violence or murder.

We also considered the ad did not feature sequences that were likely to have a directly harmful influence on children or young people; the sequences shown were clearly fictional and relatively mild and were therefore unlikely to cause harm to children by condoning violence and murder. We considered the ad had been appropriately scheduled and the ex-kids restriction was sufficient.

26 October, 2009 Posted by melonf | ASA Advert Censor | , , | No Comments Yet

Breeding Censors…Old MPAA cuts to David Cronenberg’s The Brood

Read more BBFC Cuts and Bans at MelonFarmers.co.uk

The uncut region 2 DVD is available at UK Amazon
The uncut region 1 DVD is available at US Amazon

Brood DVD Oliver ReedThe Brood is a 1979 Canada horror by David Cronenberg

The BBFC passed the US Unrated Version for the 2005 Anchor Bay DVD without cuts for an 18 rating.

Previously the US R Rated Theatrical Version was passed uncut for the 1979 X rated cinema release, 1992 Video Gems video, 1997 Arrow video, 1998 Polygram video and 2005 Anchor Bar DVD.This version was cut by US film censors at the MPAA to achieve an R Rating

From version details on IMDb

28 seconds of footage deleted from:

  • the ripping and licking of the foetus
  • the mallet murder of the old lady
  • shots of the dead schoolteacher’s battered face

Review from UK Amazon: Cronenberg get noticed

The Brood was David Cronenberg’s third feature release and the film that got him noticed outside Canada and the horror genre. With heavy weight actors Oliver Reed and Samantha Egger, Cronenberg’s excellent script – Oliver Reed said it was the best written part he had had since The Devils – and a story more psychological than outright horror, though there are a few gory scenes, Cronenberg was onto a winner.

This is a film that stays with you long after the final credits have rolled. There are many influences playing through the film, the brood children are reminiscent of the dwarf from Don’t Look Now, Howard Shore’s excellent strings only score a nod to Bernard Herrman’s score for Alfred Hitchcock’s Psycho.

Get this DVD now! it should be in your collection, quick before some idiot does a remake with CGI brood and no plot or subtext!

26 October, 2009 Posted by melonf | MPAA Cuts, US Uncut | , , | 1 Comment