Archive for 2 February, 2011

Read more Latest UK Cuts at MelonFarmers.co.uk

Based on article from bbfc.co.uk

new york ripper bluThe New York Ripper is a 1982 Italian horror by Lucio Fulci. See IMDb.

An extended version was passed 18 after 29s of BBFC cuts for

  • UK 2011 Argent/Shameless Online
  • UK 2011 Argent/Shameless Blu-ray at UK Amazon for release on 25th April 2011
  • UK 2011 Argent/Shameless DVD at UK Amazon for release on 25th April 2011

The BBFC commented:

  • Compulsory cuts were required to remove sexualised violence (a naked and bound woman’s stomach and breasts being mutilated with a razor blade)

Shameless commented:

  • The version includes 3 minutes of footage not in the previous Shameless release and 15 seconds of footage not in the Blue Underground Blu-Ray. The BBFC cuts have been implemented by substitution and do not effect the running time.
  • Both DVD and Blu-ray will be released on 25 April 201
  • Extras: A presentation by Antonella Fulci, daughter and curator of Lucio Fulci’s work.
  • Extras: A brand new, exclusive 20 min interview with Antonella Fulci and writer Dardano Sacchetti.
  • Extras: A fan booklet on the making of New York Ripper.

See review from US Amazon Darkest and goriest

The New York Ripper was a great Italian horror film from Lucio Fulci, the film was filled with plenty of gruesome death scenes and lots of sleaze, sex and nudity in fact its probably one of the sleaziest Italian horror flicks I’ve ever seen. It was also notorious for being banned in the U.K. This is easily one of Lucio Fulci’s darkest and goriest films out there (O.K. maybe not THE goriest, I still think that Cat In The Brain holds that title), there is one scene that was quite sick and perverse that’s guaranteed to make you squirm, yes I’m talking about the “Golden Toes” scene.

When an old man finds a prostitute’s severed hand under the Brooklyn Bridge the police decide to do a little investigating. It seems that the victim was heard speaking to a strange duck-voiced man. As the murders add up the police detective who’s investigating the case recruits a psychology professor to help find out who this Donald Duck voiced maniac could be

This is a typical Fulci flick which means that the plot gets thinner during the course of the film and the bad acting which was adequate especially for this type of film could have been better but that’s not important, if your a hardcore Fulci or exploitation fan then you’ll obviously love this as the death scenes were quite brutal and very nasty.

I have to admit that I really liked this film a lot and it was one of Fulci’s best, while not a classic like Zombi 2, it was still great and enjoyable.

Read more ASA Watch at MelonFarmers.co.uk

See article from asa.org.uk
See video from youtube.com

belle dopium videoA TV ad, for Belle D’Opium perfume, featured a woman dancing to a drum beat. The woman pointed to her inner elbow and ran her finger along the inside of her forearm. She was then shown lying on the floor as a voice-over began I am your addiction, I am Belle D’Opium. The new fragrance by Yves St Laurent.

Thirteen viewers objected that the ad was irresponsible and offensive, because the woman’s actions simulated drug use.

ASA Assessment: Upheld

The ASA understood the ad had been carefully choreographed and styled to create Belle and her movements as a way of emphasising the powerful and intense qualities of the perfume, and to play on the idea the perfume had addictive qualities like a woman or opium. However, we noted that the ad broadcast on TV was only 20 seconds of the full one-minute ad featured on the Belle d’Opium website, and that it had been cut to feature predominantly the quickest and most dramatic music and scenes from the full ad.

We noted that two of the key scenes, the circular symbol and wings gesture scenes, were omitted from the TV ad, and other key scenes were altered. We considered that the fast changing scenes and urgent music, created a less flowing, more frantic atmosphere in the ad, which might not enable viewers to interpret the ad as a stylised expression of femininity and bewitchment, as intended.

We were concerned that in the context of the ad, Belle running her finger down her inner arm could be seen to simulate the injection of opiates into the body. We were also concerned that following that scene, Belle was shown moving in a series of short, rapid scenes, before the ad concluded with her body seizing upwards while lying on the floor, an action we considered could be seen to simulate the effect of drugs on the body. While we recognised the name OPIUM was a well-known designer perfume brand and did not consider it irresponsible or offensive to advertise OPIUM branded products, and while we noted the consumer research found that most viewers did not consider the ad to be offensive, we nevertheless considered the woman’s actions simulated drug use, and therefore concluded it was irresponsible and unacceptable for broadcast.

The ad breached BCAP Code rules 1.2 (Social responsibility), 4.1 (Physical, mental, moral or social harm), 4.4 (Health and safety), and 4.9 (Violence, crime, disorder or anti-social behaviour), but did not breach 4.2 (Serious or widespread offence).

Read more UK Government Censorship News at MelonFarmers.co.uk

See article from culture.gov.uk

DCMS logoOfcom will review sections of the Digital Economy Act to see if they are workable following public comments submitted in the Your Freedom exercise.

Culture Secretary Jeremy Hunt has asked Ofcom to assess whether the Act’s reserve powers to enable courts to block websites dedicated to copyright infringement could work.

The site-blocking measures need secondary legislation before they can be introduced and the review will inform the Government’s decision on the next steps to take.

Hunt said: The Digital Economy Act seeks to protect our creative economy from online copyright infringement, which industry estimates costs them £400 million a year. I have no problem with the principle of blocking access to websites used exclusively for facilitating illegal downloading of content. But it is not clear whether the site blocking provisions in the Act could work in practice so I have asked Ofcom to address this question. Before we consider introducing site-blocking we need to know whether these measures are possible.

The review will look at areas such as whether it is possible for internet service providers (ISPs) to block access to the sites, how robust such a block could be and whether specific parts of a website can be blocked effectively.