Archive for June, 2011

Read more ASA Watch at MelonFarmers.co.uk

See article from asa.org.uk
See US TV trailer from youtube.com

drive angry videoTwo TV ads for the release of the film, Drive Angry 3D, featuring the actor Nicholas Cage.

a. The first ad began with a car crashing into a group of people. Large on-screen text and a voice-over stated Get ready for a hell of a ride. Nicholas Cage was then shown pointing a large gun and saying You can’t stop me. Various violent scenes ensued. In one scene, a man was shot through the chest at close range. In another scene a man was shown firing a gun and the bullet moving in slow motion towards the viewer. A subsequent scene showed a wrench fly through the air and sever a man’s hand with large on-screen text stating 3D. Then an axe was thrown in slow motion towards the viewer. A further scene showed Nicholas Cage being shot through the eye socket at close range. Then a man was stabbed through the shoulder. Another scene featured a car hitting a man at high speed and a man’s body falling onto a broken window pane. Nicholas Cage was then shown punching another man in the face. The voice-over continued It’s the 3D movie event of the year. The voice-over and large on-screen text stated NICHOLAS CAGE, DRIVE ANGRY 3D. 18. IN CINEMAS FEB 25. In the final scene Nicholas Cage, with an open wound in his eye socket, shot at a man whose charred body was blown away.

b. A shorter version of ad (a) began with a young woman pointing a large gun and shouting Hey dickless!. The following scene featured a car chase between two cars travelling side-by-side and one driver firing a gun through the driver’s window of the adjacent car. Another scene showed the young woman punching another woman in the face. The ad then featured some of the same violent scenes as ad (a), in particular, the severed hand, the car crashing into a group of people, the close-up of Nicholas Cage’s eye socket wound, the man’s charred body being blown away and the man being hit by a car at high speed. The ad featured a similar voice-over and similar on-screen text as ad (a) but also referred in voice-over to eye-popping 3D. Issue

Two viewers challenged whether the ads were offensive, because they featured scenes of graphic violence.

Clearcast said they had approved the ads after considerable discussion around whether or not the ads were acceptable to be broadcast at all. They said that they certainly felt that, because of the blood and gore featured in the ads, they should be transmitted with at least a post-9pm restriction and they ultimately decided on the heaviest restriction available, which was a post-11pm restriction. They felt that was an appropriate timing restriction, and that the ads were acceptable for broadcast after that time, because the violence featured in the ads was comic-book surreal and would be appreciated more by a late night audience than any other.

ASA Assessment: Not upheld

The ASA noted that the ads reflected the adult content of an 18-rated film and had been given a post-11pm scheduling restriction. We acknowledged that the ads contained scenes of blood and gore that might be considered distasteful by some viewers. We noted that the film was intended to be seen in 3D by cinema audiences and the large on-screen text stating 3D and voice-over in the ads made that clear. We considered that some of the scenes, including the severed hand in both ads, and the flying axe in ad (a), had a three-dimensional feel to them because they showed objects apparently flying out of the screen towards the viewer.

We noted that the premise of the film was that Nicholas Cage’s character had come back from hell to avenge the death of his daughter. We noted that both ads referred to a hell of a ride and that, although only ad (a) showed Nicholas Cage being shot in the eye, both ads showed him with an eye socket wound and ad (b) referred to eye-popping 3D. We considered that, although it was not explicit that Nicholas Cage’s character was from hell, the fact that he was able to continue with his campaign despite having been shot through the eye at close range, suggested that his character was not human. We also considered that the scene showing the man with the charred body in both ads, albeit brief, also indicated that he was probably not human.

We noted that neither ads encouraged or condoned violence and none of the characters were obvious victims or underdogs. We noted that ad (b) included the word Dickless, and although this may have been considered distasteful by some viewers, we considered it was unlikely to cause serious or widespread offence, especially to a post-11pm audience. Whilst we understood that the violent images in the ads might upset some viewers, we considered that most viewers would be aware that more adult material was likely to be broadcast after 11pm and that the majority of post-11pm viewers were unlikely to be offended by the scenes in the ads. For these reasons, we concluded that the post-11pm restriction was sufficient and that the ads were unlikely to cause serious or widespread offence to viewers when broadcast after 11pm.

We investigated the ads under BCAP Code rule 4.2 (Harm and offence) but did not find them in breach.

Read more UK Parliament Watch at MelonFarmers.co.uk

 See article from bbc.co.uk

House of Lords logoThe BBC’s complaints process is convoluted and overly complicated, a group of peers has said. The Lords communications committee said it was hard for viewers, listeners and web users to know whom to contact. and proposed a complaints one-stop shop.

Part of the problem was that the roles of the BBC Trust and watchdog Ofcom overlapped, the report added. And despite Ofcom having the final say in all other areas, the BBC Trust has responsibility for matters of impartiality and accuracy.

Peers said the BBC should set out a clear explanation of its complaints process on its website, so that licence fee payers knew what they could expect. There should also be a single point of contact for all complaints, regardless of whether they applied to television, radio or online material..

This situation – in which the BBC was judge and jury in its own case – was undesirable and should not continue, the peers said.

The committee called for all complaints to be made to the BBC in the first instance, followed by a right of appeal to the BBC Trust and a subsequent final appeal to Ofcom if the complainant was not happy with the trust’s decision.

Read more ATVOD Watch at MelonFarmers.co.uk

Based on year 2 fees [pdf] from atvod.co.uk
See also consultation, responses and ATVOD decisions [pdf] from atvod.co.uk

ATVOD logo 2011ATVOD have wisely decided against their first year £2900 fixed fee approach and replaced it with a graduated fee dependent on company revenue and the number of services run by that company.

The year 2 annual fees in £ are:

  • non commercial: 100 + 100 for additional services
  • commercial, revenue < 50k: 150 + 150 for additional services
  • commercial, revenue < 100k: 200 + 200 for additional services
  • commercial, revenue < 6.5m: 800 + 400 for additional services, max 25k
  • commercial, revenue < 25.9m: 5175 + 800 for additional services, max 25k
  • commercial, revenue > 25.9m: 10350 + 800 for additional services, max 25k
Read more Latest UK Cuts at MelonFarmers.co.uk

See article from mcbastardsmausoleum.blogspot.com

New York Ripper High Blu rayNew York Ripper is a 1982 Italian horror by Lucio Fulci. See IMDb.

The new DVD & Blu-ray features a new HD transfer of the film and a wealth of special features.

Update: Not quite ripped to shreds

Shameless re-submitted the film for certification to the BBFC in hopes of obtaining the UK’s first uncut version of the film, but to no avail. The previous cuts list has been re-affirmed by the BBFC.

As with Shameless’s recent DVD version, the cuts have been edited, presumably by reframing, so that the running time remains unaffected.

Shameless have also sourced and added approximately 3 minutes of footage not in the previous Shameless version and also added a new scene of approximately 15 seconds not present in the US Blue Underground Blu-ray. This will make this the longest version of the film available.

Previously passed 18 after 19s/22s/34s of BBFC cuts for:

  • UK 2007 Argent/Shameless R0 DVD
  • UK 2002 Protected/Vipco VHS

The BBFC commented:

  • Cuts were required to remove sexualised violence (a naked and bound woman’s stomach and breasts being mutilated with a razor)

Note that Shameless reckon that 19s were cut to remove the specified sexualised violence.

And before that the film was banned by the BBFC for:

  • UK 1984 cinema release

It was not only banned but all prints were famously escorted out of the country.

Summary review:  Darkest and goriest

The New York Ripper was a great Italian horror film from Lucio Fulci, the film was filled with plenty of gruesome death scenes and lots of sleaze, sex and nudity in fact its probably one of the sleaziest Italian horror flicks ever seen.

When an old man finds a prostitute’s severed hand under the Brooklyn Bridge the police decide to do a little investigating. It seems that the victim was heard speaking to a strange duck-voiced man. As the murders add up the police detective who’s investigating the case recruits a psychology professor to help find out who this Donald Duck voiced maniac could be

This is a typical Fulci flick which means that the plot gets thinner during the course of the film and the bad acting which was adequate especially for this type of film could have been better but that’s not important, if your a hardcore Fulci or exploitation fan then you’ll obviously love this as the death scenes were quite brutal and very nasty.

One of Fulci’s best.

Read more BBC and BBC Trust Watch at MelonFarmers.co.uk

See article from online.wsj.com

New Tricks DVD Alun ArmstrongThe stars of BBC police drama New Tricks have criticised television censorship, saying that the broadcaster is terrifiedof causing offence.Alun Armstrong, who plays oddball Brian Lane in the show, told the Radio Times: We tend to come up against the BBC mainly when there are edicts and memos and script changes, which we never get to discuss.

Dennis Waterman, who plays Gerry Standing in the show, added: We play the game of, ‘was this written by the writer or a BBC executive?’

Read more Video Nasties News at MelonFarmers.co.uk

UK 2011 Arrow Blu-ray via UK Amazon now released
UK 2011 Arrow R2 DVD via UK Amazon now released

See trailer from youtube.com

Tenebrae DVDTenebrae is a 1982 Italian giallo by Dario Argento. See IMDb

Passed 18 with all BBFC cuts waived for:

Previously passed 18 after 5s of BBFC cuts for:

  • UK 2000 Nouveaux VHS

This is an extra cut of 1s over and above the previous 4s cinema cuts to ensure that the BBFC were not passing a video that had recently been found to be ‘obscene’.

And before that Videomedia released the BBFC cut cinema version on video in 1983. It was doomed to take a leading position on the video nasties list. It was listed in March 1984 and stayed on the list throughout the panic. It is therefore one of the collectable DPP39s

Summary Review: Gore filled giallo

Tenebrae is a thriller about a writer of thrillers who, whilst on a promotional tour in Italy for his new book (…also called Tenebrae), finds himself the focus of a deranged serial killer, who is offing his victims according to the grisly murders found in the very same author’s work.

Argento has a great deal of fun in devising these bizarre scenes and scenarios, whilst simultaneously orchestrating this grandiose, gore-filled Giallo with a bold approach to cinematography, montage and music.

As with a lot of Argento’s work, the performances aren’t all peerless, although, that said, there’s some admirable moments, particularly from Anthony Franciosa as the author, Peter Neal, Argento’s former muse Daria Nicolodi as his assistant Ann, and b-movie stalwart John Saxon as Neal’s publisher.

The ending of the film is a satisfying one that is sure to delight those familiar with his previous works.

Read more BBFC News at MelonFarmers.co.uk

From bbfc.co.uk

BBFC logoThe following message has appeared on the main page of the BBFC website::

The BBFC has updated the structure of the independent Video Appeals Committee and the rules governing how it functions. The new rules will apply to any video work submitted to the BBFC for classification on or after 1 July 2011.

Read more Latest UK Cuts at MelonFarmers.co.uk
  • US 2011 Shout! Factory Women in Cages Collection RA Blu-ray at US Amazon
  • US 2011 Shout! Factory Women in Cages Collection R1 DVD at US Amazon

See more details at Melon Farmers Video Hits: Women in Cages

Women Cages Collection Cormans ClassicsWomen in Cages is a 1971 US/Philippines prison film by Gerado de Leon. See IMDb

In the UK it was passed 18 after 3:19s of BBFC cuts for:

  • UK 1986 Apex VHS

Before that it was banned by the BBFC for:

  • UK 1972 cinema release

Summary Review: Tropical Prison

Set in a nameless Latin American prison but filmed in the Filipino jungle. The film featured a mixed cast of local Philippines and American exploitation regulars, but it’s remembered as the first high-profile role for the later Queen of Blaxploitation, Pam Grier.

Grier plays the sadistic warden, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The New Fish, a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her.

A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

The Big Doll House is a 1971 US/Philippines prison film by Jack Hill. See IMDb

In the UK an extended version was passed 18 uncut with previous BBFC cuts waived for:

Before that it was passed 18 after 10s of BBFC cuts for:

  • UK 1987 Superfly VHS

Summary Review: Naive Silly Fun

The whole film has a tone of naivety despite of its run of sex and violence. The plot couldn’t be more simple: a group of women in prison, led by the resourceful Collier (top-billed Judy Brown), plan an escape. Guards torment and molest prisoners. Prisoners get naked (though not as much as you’d expect for this genre). One evil head guard, Lucian tortures bad girls by tying them to tables and hanging snakes over them.

The fast paced film is surprisingly well acted, and delivers all the usual thrills you would expect, with a few witty lines and some hysterical monologues.

The Big Bird Cage is a 1972 Philippines/US prison film by Jack Hill. See IMDb

In the UK it was passed 18 uncut with previous BBFC cuts waived for:

  • UK 2010 Nouveaux/In2film R2 DVD at UK Amazon
  • UK 2002 Film 2000 R2 DVD

Before that it was passed 18 after 2:45s of BBFC cuts for:

  • UK 1986 Warner VHS

Summary Review: Worth seeing!

A unique prison film on the grounds that it provides a great mix of comedy and action. Pam Grier as a tough revolutionary provided all the action as she plotted to free the mistreated women from prison. The comedy mostly came from the sexually deprived women, who were full of one-liners and crazy notions.

But of course the movie still contained all the things that make a good prison exploitation film….lots of nudity… violence… bad language and did I mention lots of nudity. It’s worth seeing!

Read more ATVOD Watch at MelonFarmers.co.uk

Based on article from ukadultproducers.com

AITA logoThe Adult Industry Trade Association (AITA) recently organised an open meeting with Pete Johnson of ATVOD.

Pete Johnson (ex BBFC) has been charged to head ATVOD, an organisation sanctioned by OFCOM under an EU directive to collect fees from all websites that fit the video on demand criteria under law.

They provide no service to the website owner whatsoever, but imposed a charge of £2900 per site in 2010 (currently consulting about a variable charge related to turnover for 2011).

Practically every website with video gets caught up in the censorial rules, except for user content websites along the lines of YouTube. Perhaps only Google are big enough to have the political clout to avoid the censorship.

The EU law underpinning the censorship requirement is supposed to be ‘light touch’. It only really bans hate material, has restrictions on sponsorship/product placement and requires child protection from material which might seriously impair the physical, mental or moral development of persons under the age of eighteen, such material must be made available in a manner which secures that such persons will not normally see or hear it.

But of course it is this last requirement that has been used to stitch up the UK adult trade.

In a very illuminating talk (available at the above link), Pete Johnson outlines some of the extremes of child protection to be enforced by ATVOD (although Johnson alludes to the overly strict interpretation of the law being down to the British Government, rather than ATVOD).

Onerous Age Verification requirements

ATVOD logo 2011In essence, the powers to be have decided that all hardcore content has be locked off in sections of websites where age verification is in place. Although over mechanisms may appear over the coming years, the only currently acceptable method seems to require a credit card payment before allowing access.

Even debit card payments are unacceptable, as such cards are sometimes held by under 18′s.

No hardcore video may be made available on free preview areas of adult websites. Perhaps the only hope of convincing prospective customers that a website will deliver the goods, is that, hardcore photos are not covered by this law and are therefore allowed without age verification (assuming that they are not considered legally obscene).

And in a truely bizarre piece of reasoning, all 18 rated video, be it torture horror, or  softcore porn, can be shown without such mandatory age verification. So a graphic castration is acceptable whereas as a blow job isn’t.

Surely its going to be very limiting to be able to sell only to credit card holders, and even more limiting to only be able to promote to people who are willing to type in the arduous details required for credit card transactions, just for a look-see. Surely the trust issue will also deter customers who would like to see an extensive and fully operational website as evidence of being trust worthy as opposed to a fly-by-night rip off.

Also the UK adult business suffers from a lot of softcore on satellite and cable (and historically from sex shops) pushed by companies desperately trying to suggest that their material is hardcore, when in fact, it is nothing of the kind. (I for one am still bitter from being ripped off by sex shops from 20 years ago). It must be very important for British companies to be able to convince prospective customers that they are selling pukka hardcore before they hand over their cash.

It hardly seems a very fair trading environment for Britain. Foreign competitors can incorporate free hardcore material for promotional purposes, and thereafter accept payments via any method. Suddenly the porn tubes suddenly got a whole lot more threatening.

Rules for UK Eyes Only?

Pete Johnson was very keen to present these new censorial rules as a fait accompli. He glossed over any debate or explanation as to whether hardcore porn can actually seriously impair the moral development of under 18s. Surely it is debatable that the sight of such a fundamentally normal activity of life can do so much damage. The same issue was debated in court at the time of the legalisation of R18 videos and DVDs and no such serious impairment was proven to the judge.

In fact there seems to have been a change of view amongst UK censors. The BBFC wrote about this same topic in 2010 (in their Annual Report of 2009 [pdf]):

The duty to enforce the new rules lies with Ofcom who, in relation to ‘editorial content’, intend to delegate most of those powers to the Association for Television On Demand (ATVOD). Both Ofcom and ATVOD have made clear that, in their view, content which has been classified by the BBFC in any category, including ‘R18′, would not be considered likely to seriously impair those under 18, and therefore does not need to be placed behind access controls.

Perhaps ATVOD’s newly censorial interpretation of the European directive may also rattle a few cages in the rest of Europe. Hardcore films are broadcast there on encrypted subscription TV as part of standard general film channels such as Canal Plus. Indeed Netherlands TV has shown hardcore films on unencrypted broadcast TV. It would be interesting to see if these countries would appreciate being told by Britain that they are seriously impairing the moral development of their youngsters.

Perhaps the British video on demand trade should debate some of these issues before kowtowing to the censorial interpretation being pedaled by ATVOD.

Read more Latest UK Cuts at MelonFarmers.co.uk

Based on article from bbfc.co.uk

Art Getting DVD Freddie HighmoreThe Art of Getting By is a 2011 US drama by Gavin Wiesen. See IMDbPassed 12A after BBFC suggested cuts for category for:

  • UK 2011 cinema release

The BBFC commented:

  • This film was originally seen for advice in an unfinished version. The BBFC advised the company the film was likely to receive a 15 classification but that the requested 12A could be achieved by reducing the number of uses of strong language. When the finished version of the film was submitted for classification, the number of uses of strong language had been reduced from five to one. Accordingly, the film was classified 12A.