Archive for the ‘Political Correctness’ Category

Read more parl.htm at MelonFarmers.co.uk

House of Commons logo[The trouble with discriminatory laws such as this is that they encourage hatred of others rather than diffusing the issue. Identity politics is very aggressive. Lynch mobs gather to push for for the most severe punishments for the most trivial of transgressions. Police and the prosecuting authorities always seem to side with the complainant and the resulting injustice is noted by more or less everyone in society. It succeeds only in winding everybody up and chipping away at any remaining respect for the way that the authorities run our lives. In an equal society everybody should have exactly the same rights to be protected form the ill intent of others].

The Labour MP Stella Creasy has put forward an amendment to the upskirting bill, due to be debated in the Commons this Wednesday, that would add misogyny as an aggravating factor in England and Wales. This would enable courts to consider it when sentencing an offender and require police forces to record it.

Creasy hopes this will be the first step towards recognising misogyny as a hate crime. Creasy said:

Upskirting is a classic example of a crime in which misogyny is motivating the offence. We protect women in the workplace from discrimination on grounds of their sex, but not in the courtroom — with upskirting, street harassment, sexually based violence and abuse a part of life for so many it’s time to learn from where misogyny has been treated as a form of hate crime and end this gap.

The Guardian understands that the Law Commission, which has called for a fundamental review of all hate crime legislation, supports the spirit of Creasy’s amendment.

In Scotland, the Holyrood government will shortly launch a consultation on the reform of all aspects of hate crime legislation, after an independent report recommended including gender , as well as age, as a hate crime in law. Although the National Police Chiefs’ Council rejected a proposal to extend the policy nationwide in July, it has set up a working group to examine the issue.

Advertisements
Read more me_movies.htm at MelonFarmers.co.uk

Show Dogs DVD The Daily Mail is hyping some cinema ‘outrage’ about a new children’s film opening this week, Show Dogs . The Mail writes:

Parents have reacted with fury after British cinemas are still showing scenes from Hollywood film Show Dogs that were banned in America months ago because they were deemed inappropriate for children.

The film features scenes touch in hyper sensitivity of PC extremists about consent and touching relating to dogs bollocks.

In one scene the dog has his genitals inspected and is told to go to a zen place and in a later scene urged to overcome his resistance to being touched so he can become a champion.

Moralist campaigners first raised concerns about the scenes in the United States and Global Road Entertainment, who distribute the scene said it decided to remove two scenes from the film ‘Show Dogs that some have deemed not appropriate for children.’

Of course the British ‘outrage’ is pretty minimal and was spotted mostly in a few angry tweets. One mother from north London, who asked to remain anonymous, told MailOnline:

Expecting that the scenes had been cut I didn’t think twice about taking my four-year-old. So it was quite shocking to discover that the scenes appeared to still be in there – with one of the dog characters being coached to go to their ‘zen place when the judges were going to inspect their genitals.

This was repeated a second time towards the end of the film, when the character of Max the dog has the inspection.

It wasn’t a packed viewing but a few of the parents of the younger children immediately covered their ears and asked them to look away.

Annoyed parents have also been in contact with the BBFC about the contentious scenes. The BBFC responded that the scenes are entirely innocent, non sexual and occur with in the clear context of preparing for and judging in a dog show

Read more pc_news.htm at MelonFarmers.co.uk

Books sample trigger warning labelSensitive snowflake students will soon need trigger warnings for some of the world’s most famous literature, an award winning author has claimed.

Julian Barnes was stunned to learn young university pupils had been critical of the behaviour of book character’s like Gustave Flaubert’s Madame Bovary.

Students in the US called the protagonist, Emma Bovary, a bad mother based on her affairs, her lifestyle longing to escape dull, provincial life.

The 72-year-old told those gathered at the celebration of the Booker’s half-century on Sunday:

I don’t know where to begin to unpick that.

As for students asking to hear in advance the bad things that happen in Titus Andronicus.

We might as well have a trigger warning on all great works of literature.

Read more pc_news.htm at MelonFarmers.co.uk

slave montreal festival posterThe Montreal International Jazz Festival has explained its decision to censor a show featuring a white woman singing songs composed by black slaves.Festival CEO Jacques-Andre Dupont said the decision to abruptly cancel SLAV partway through its run was made for a mix of technical and human reasons, including security concerns raised by the escalating vitriol surrounding the show. He also said that the show’s star, Betty Bonifassi, had broken her ankle and indicated she was no longer able to continue.

He said that while many protesters were peaceful, the festival and the theatre where the show was performed were concerned by the aggression of some protesters and the rising division and anger surrounding the show. He said Bonifassi’s decision to not continue was prompted both by her injury and the criticism.

Dupont said the festival and the production company would absorb what he said would be hundreds of thousands of dollars in losses associated with cancelling the show, including paying the performers.

SLAV, one of the hottest tickets at this year’s jazz festival, was the subject of protests claiming ‘cultural appropriation’ of black culture and history. It was described as a theatrical odyssey based on slave songs and a journey through traditional Afro-American songs, from cotton fields to construction sites, railroads, from slave songs to prison songs.

Black activists denounced the show and its mostly-white cast, and U.S. musician Moses Sumney cancelled a gig at the festival in protest.

Amid a storm of international media attention, the festival announced Wednesday it was cancelling the remaining performances and apologizing to anybody who had been hurt.

The renowned Quebec playwright Robert Lepage who directed the show criticized the decision to cancel it, calling it a direct blow to artistic freedom. He said in a statement that actors pretending to be someone else is at the very heart of theatre:

When we are no longer allowed to step into someone else’s shoes, when it is forbidden to identify with someone else, theatre is denied its very nature, it is prevented from performing its primary function and is thus rendered meaningless.

Read more pc_news.htm at MelonFarmers.co.uk

walkaway video A shock poll by Reuters/Ipsos reveals that the Democrats are shedding millennial votes, with support dropping by 9% since 2016. This shift is most pronounced among white millennial men, who now favour Republicans over Democrats by 11%.The Democratic Party seems to have adopted a rather toxic mix of identity politics and political correctness that blatantly sneers at white folk, especially men. So perhaps it is hardly surprising that the party has been losing support from white millennial men. But the party’s malaise seems more widespread than that, plenty from the minority communities are voicing their disquiet at being presented in a permanent state of victimhood, especially as the previous administration didn’t actually do anything to help them break out from such a state.

Anyway a passionate and eloquent YouTube video by Brandon Straka seems to have inspired a movement to #WalkAway from the Democratic Party. Straka notes of his original reason for aligning with the Democratic Party was his belief in free speech and equality for all. And then insightfully notes that as the party lurches towards identity politics and authoritarianism, then he cites exactly the same reason for walking away.

I suspect that Donald Trump has changed politics around the world for a few years yet to come. You may, or may not, agree with his policies, but he has been seen to be going out on a limb to do something positive for his electors. Maybe it is no longer enough for other parties just to utter fine words, and do little more. People now expect their representatives to do something that actually helps.

Read more pc_news.htm at MelonFarmers.co.uk

king and i 2018 posterThe King and I is back in the West End, 67 years on from its Broadway debut.But its portrait of a white woman being both fascinated and repelled by a society depicted as both backward and barbarous is winding up a few PC critics.

The Telegraph’s Dominic Cavendish whinges The King and I one of the most problematic musicals of the 20th Century American canon. Michael Billington expresses similar sentiments in The Guardian , saying it seems to endorse the idea of the civilising influence of the west on the barbaric east.

The Independent’s Paul Taylor detects a smack of imperial condescension to this story of a widowed, well-bred Victorian governess who… gives a funny foreign despot… a stiff dose of Western values.

Time Out’s Andrzej Lukowski, meanwhile, calls the musical kind of racist … like an elderly relative who you make allowances for on grounds of age.

Director Bartlet Sher responds that the show remains resonant, powerful and extremely well-conceived. He also dismisses suggestions the piece has dated, saying its views on colonialism, gender equality and the conflict between modernity and tradition make it as timely and powerful as ever.

I wonder if these PC critics would have banned British cave rescuers from helping out in Thailand lest heroically saving children’s lives affirms ‘white saviour’ stereotypes.

Read more pc_news.htm at MelonFarmers.co.uk

armstrongs war posterNew theatre audience advisories in Canada are warning about specific plot points that could trigger emotional trauma for those of a snowflake disposition.

This spring, Western Canada Theatre attached a warning to Children of God, a musical about residential schools, that indicates the production’s mature and potentially triggering scenes involving residential schools and sexual abuse.

A subsequent production, Armstrong’s War , a play about an Afghan War vet, came with the following advisory:

This hard-hitting yet inspiring drama about bravery and survival contains some potentially triggering content about the horrors of war and mental illness.

And unsurprisingly the trigger warnings have sparked a bit of a debate.

James MacDonald, artistic director of Western Canada Theatre in Kamloops, B.C., is in favour of using trigger warnings where the material justifies it.

I think if we inform the audience beforehand, and they’re not blindsided by it, then they don’t have a negative reaction to it.

MacDonald said he saw a need for trigger warnings after his company staged a play that featured a scene of a daughter being sexually abused by her father. He said:

Even though we had put a content warning on the play to say that there was adult content and scenes which may disturb people, that particular scene evoked many reactions and responses from the audience, and they felt like they were blindsided by it.

For other theatre professionals, trigger warnings are the very antithesis of what theatre is designed to do: provoke reactions.

Montreal’s Imago Theatre specializes in English-language plays written from women’s perspectives and often features plays about challenging subject matter, like rape and violence against women. But there isn’t a trigger warning anywhere in sight. Imago’s artistic director Micheline Chevrier explains:

I think we have to be careful with trigger warnings. I’m not a fan of wanting to tell somebody exactly everything they’re about to experience.

She worries trigger warnings are the first step toward avoidance of difficult material altogether, a slide into self-censorship by playwrights and directors afraid of offending patrons.